Yesterday (30 September 2020), events professionals around the country took part in various actions to expose the dire situation facing workers in this highly profitable industry. Graham Dakin writes about the conditions and challenges that have led them to this point.
Joe Weaver reviews London-duo Bob Vylan’s uncompromising new album, and explores some of the “extreme” political themes behind each track.
Nathan Capnzik retells the fight against far-right infiltration in the Gabber scene and highlights the power of music to bring young people together with an anti-fascist message.
Hailing from Preston and operating out of an abandoned textile mill; the two piece, made up of Katie Drew and Joey Cobb, blend together a sound reminiscent of The KVB and Cocteau Twins. Ethereal and yet somehow near impossible to pin down, the band itself describes its work as Gothic Dreampop. ‘Night Drive’ draws youContinue reading “ONES TO WATCH: White Flowers”
This new work from The Strokes is a breath of fresh air in the times of the Covid 19. ‘The New Abnormal’ is their first album since ‘Comedown Machine’ which was released seven years ago and it’s ten times better in my view. This being said it’s a polar opposite from their first album ‘IsContinue reading “The Strokes and Their Synthpop Belter With Soft Vocals ‘The New Abnormal’”
By trade, I am a composer and conductor, and cynicism of the EU is very hard to find in a profession that has come to depend on the freedom of movement to make work a possibility. If anyone observes the activities of my trade union, they would know they actively campaigned for the, now, unsuccessfulContinue reading “What are musicians to do now we have finally left the EU?”